From student to DoP: meet young filmmaker Otis Tree

Having graduated from film school in summer 2020, Otis Tree is already producing his own feature. He shares his insights into how to hit the professional ground running straight out of university.
A young man in casual dress crouching on a pavement photographing a man in checkered trousers and white trainers.

Recently graduated filmmaker Otis Tree had been mulling over the concept for his feature film, Big Smoke, for years, but was inspired to make his vision a reality after shooting his award-winning graduate short, Destructors. "Despite its successes, I felt unfulfilled by how it all came together," says Otis. "It was so damaged by the first lockdown. The time I've had to reflect on it has helped me realise some of the ideas I was getting at."

The Big Lebowski (1998) is set in sun-soaked Los Angeles in the US, not drizzly, grey London in the UK. But for his first feature, Big Smoke, graduate filmmaker Otis Tree is channeling the spirit of the Cohen Brothers' cult slacker movie in a new direction. "It's a comedy-horror, where the characters are constantly paranoid, second guessing themselves," says Otis of Big Smoke. "The Wicker Man is another big inspiration. The film is set on winter solstice and we're going for that pagan atmosphere, despite the modern, urban aesthetic."

East London-born Otis bagged his first festival screening, at the BFI Future Film Festival, aged just 13. Since graduating in summer 2020, he's already clocked up some impressive accolades, winning the 2020 Emerging Talent award at Brighton's CINECITY Festival for his short film, Destructors, and working under DoP Ben Wheeler on a high-end TV production for Euston Films. We asked him about the insights he acquired as a student and how he's used them to launch his film career.

A young woman in a headscarf lounging on a roll mat, surrounded by small candles on the floor.

Set on winter solstice, the plot for Big Smoke centres on a group of young Londoners known as "The Druids". Otis shot his proof of concept film in an old, abandoned church to give it the Wicker Man-inspired horror sensibility he was after and used a Canon EOS R5 to shoot the promotional stills. Taken with a Canon RF 50mm F1.2L USM lens at 1/50 sec, f/1.2 and ISO800. © Otis Tree